(Labour and course corrections ...)
1. The pulse
1. The pulse
is the story of an impulse, a tiny spark that lies between two blocks contradictory. fifrelin A metal, a light crude, a crude sense s'explore and unfolds. Between these two opposites, there is the door of Duchamp, which is never opened or closed but both same time. As the world builds and flickers in the same movement, the door takes us back our own image, the image of the choices we do and who we bring here or there, silent choice, des routes qui se tracent sur le vide, des décisions inexplicables et inconscientes qui étaient impensables et qui sont surréalistes.
2. Créer ces propres rêves
Il y a ces idées qui passent parfois et qui peuvent provoquer un rire méprisant ou qui nous écœurent. Puis, vient la peur du vide social, l'idée de ne pouvoir s'exprimer que dans le choix de nos achats. Un instant vertigineux dans lequel la terreur nous a envahit et comme pour regarder ce qu'il reste, ou plutôt ce qui nous submerge, nous n'avions de cesse de clore notre monde malgré qu'il ne puisse be. Transcending the illusory space of a moment, magnify it and distill it into one that can then flow from the way you choose and n'incide nothing about what others live. The dream space is as real as anyone else, as important as any other and as small as dust free and twirling in the universe.
3. We are at the center of the world
is only one that lives only in the physical space allotted to us, the space outside the is real, makes tangible materials and outside ourselves, that we will always distant space. As far as that is inside of ourselves because we can not touch an envelope, the physical support but not its nature deep. And paradoxically, the only questioning look and objective as we can ask is what seems strange to us because otherwise. We are the center of a changing world.
Eric, 03/011, ty, be.
Main source of inspiration:
Marcel Duchamp. Door, 11 rue Larrey 1927
(Original: 220 x 62.7)
>>> 
